Sound Source Unlimited SY712 "Dual Elements Drums & Percus" soundbank
"Perfect for home demos. Comprehensive!" (SSU advertiser insert)
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BANK
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BANK
B
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BANK C
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BANK
D
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| 01. KICK1 02. KICK2 03. KICK3 04. KICK4 05. SNR1 06. SNR2 07. SNR3 08. NoizSNR1 09. SNR4 10. SNR5 11. SNR6 12. NoizSNR2 13. E.TOM1H 14. E.TOM1L 15. E.TOM2H 16. E.TOM2L |
17. RCMKck1F 18. RCMKck2F 19. RCMKck3F 20. RCMKck4F 21. RCMSnr1F 22. RCMSnr2F 23. RCMSnr3F 24. RCMSnr4F 25. RCMSnr5F 26. RCMSnr6F 27. RCMSnr7F 28. RCMSnr8F 29. RCMRck1Tom 30. RCMFlr1Tom 31. RCMRck2Tom 32. RCMFlr2Tom |
33. Metanga 34. Metave 35. Taverum 36. Ekourum 37. Lokurum 38. Cuplero 39. Eamaler 40. Drembel 41. Dmntdpno 42. 2mntdpno 43. TempoisMW1 44. EkurmMW1 45. EkopnMW1 46. KitDrumBth 47. KitDrum1 48. KitDrum2 |
49. RCMKS1F 50. RCMKS2F 51. RCMKS3F 52. RCMKS4F 53. VelRCMKick 54. VelRCMSnar 55. VelAWMKick 56. VelAWMSnar 57. KCK1SN1 58. KCK2SN2 59. KCK3SN3 60. KCK4NZSN 61. KCK1SN4 62. KCK2SN5 63. KCK3SN6 64. KCK4NZ2SN |
Comments (as published by SSU on the Greytsounds website):
This voice and multi collection has been designed with the "home demo"
musician in mind. Whatever your personal approach to assembling your demos may
be, this disk can work for you. There are kicks, snares, and toms as single
voices, using both elements of AWM, and RCM combinations of AFM and AWM
elements. There are also four element voices which have kicks and snares set up
in a split configuration on the keyboard. A bank of percussive voices is also
included. All of these voices take advantage of the layering capabilities of the
SY77. By themselves, the actual drum samples often lack the punch that
contemporary musicians are looking for. Other times, the drum samples are too
one-dimensional, lacking depth of expression. Both of these problems can be
solved by treating the drums as an actual voice, and then layering additional
elements to support the basic drum sample.
Snare drums get more "crack" and a vastly wider range of realistic, useable dynamics and timbre; kick drums get more fundamental, a truly solid bottom that can be felt; toms get more depth and range of timbre and sustain. Of course, when we treat a drum sound as a voice, the full power of the SY77's extensive effects section can be applied to create very contemporary and complete drum sounds. For demonstration purposes, we have provided twelve Multis and twelve Sequences that should illustrate how the drums work together in a Multi arrangement. The sequences were all played into the SY77 by a live drummer with pads, and cover rock, fusion, funk and Tekno styles.
If you feel so inclined, feel free to use any or all of this sequence material in your own songs! The best way to hear the power of these new drum voices is to listen to the SY77 through a wide range, high power stereo system with lots of amplifier headroom. These voices are very dynamic! Play them beginning with a very light and gentle touch, and then work up to full velocity. Carefully listen for the subtle (and sometimes not so subtle!) changes in timbre and volume. Great care has been taken so that the acoustic-type snares, for example, accurately follow the true change in dynamics and timbre.
Snare drums get more "crack" and a vastly wider range of realistic, useable dynamics and timbre; kick drums get more fundamental, a truly solid bottom that can be felt; toms get more depth and range of timbre and sustain. Of course, when we treat a drum sound as a voice, the full power of the SY77's extensive effects section can be applied to create very contemporary and complete drum sounds. For demonstration purposes, we have provided twelve Multis and twelve Sequences that should illustrate how the drums work together in a Multi arrangement. The sequences were all played into the SY77 by a live drummer with pads, and cover rock, fusion, funk and Tekno styles.
If you feel so inclined, feel free to use any or all of this sequence material in your own songs! The best way to hear the power of these new drum voices is to listen to the SY77 through a wide range, high power stereo system with lots of amplifier headroom. These voices are very dynamic! Play them beginning with a very light and gentle touch, and then work up to full velocity. Carefully listen for the subtle (and sometimes not so subtle!) changes in timbre and volume. Great care has been taken so that the acoustic-type snares, for example, accurately follow the true change in dynamics and timbre.
Comments (as published by SSU in their 1992-93 catalogue):
Are
you frustrated with the drum voices available to you in the SY77? Do
your demos lack the percussive punch and crack that characterize
contemporary recordings? Then this collection is for you! These voices
can be used by the musician who is creating demos in his or her home
studio, wheter it be on a multi-track tape machine or completely on the
SY77.
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