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PERFORMANCES
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| 00. JUPITER RISING 01. FORMLAND 02. LOVELY TRUELY 03. SPLIT AT BIGROK 04. NEW ELECTRIX EP 05. AT THE STATION 06. YUR HIGHNESS 07. CHUNGA RHYTHM 08. ISHAMs WS 09. CHROMES 10. VS ORGAN 11. PINGER STEP 12. SLOW VOICESTEP 13. REZDOWN BRASS 14. STRINGERS WORLD 15. ISLANDERS 16. SUPERPHAZE CLAV 17. BLOW WIND 18. REZRIZE ORCHEST 19. SAMPLE WORLD 20. REAL ORGAN 21. GLASS RUNNER 22. TUBULARIZE 23. DEPECH PULSE 24. SLOWJURNE | 25. WAVESTEP STUFF 26. EMM ULATIONS 27. Q SONG 28. FRIPPs VS ROOM 29. AMALOG SPLIT 30. INHARMLAN 31. TOUCHREZRESPONZ 32. SAXY WAVE 33. SPECTER STEP 34. JUNGLE WAVE 35. FULL OF IT! 36. MARSCAPE 37. BAD DIGITISM 38. RHYTHM & MELODY 39. LOW SKY SAW 40. RHYTHM ICK! 41. 5th OF CYCLES 42. INTERNAL RIFFT 43. WIND MACHINE 44. PURPLE HAZED 45. MANIC WAVESEQNC 46. ISLAND DELAYS 47. VOICETIME SUS 7 48. PLAY IN THYME? 49. MONOMONSTER LED |
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PATCHES
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| 00. ORGANLITE 01. PINGER 02. VOICESTEP 03. REZDOWN 04. STRINGLY 05. TOUCHREZ 06. CHROMES 07. TUBULAR 08. REZRIZE 09. SLOWJURNE 10. BLOWN 11. ISLANDERS 12. FOURMAND 13. AMALOG BASS 14. BIG ANALOG 15. INHARMA STAR 16. PULSESWEEP 17. SPECTRSTEP | 18. VS WAVE 1 19. HI SYNVOX 20. ISHAM 7th 21. BASS SEQUENCE 22. DIGICLAV 23. SAMPLE & HOLD 24. REAL ORGAN 25. RHYTHM GUITARZ 26. VS WAVE 2 27. VS WAVE 3 28. STUFF 29. SAXY 30. GLASS RUNNER 31. Q SONG 32. ELEKTRIX EP 33. LOVLEY 34. JUNGLE |
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WAVE
SEQUENCES
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00. ORGANLI | 16. SPECTRP 17. VSWAVE1 18. VSWAVE2 19. MINIBAS 20. S&HOLD 21. GUITARZ 22. VSWAVE3 23. STUFF 24. REZZAH 25. GLASTEP 26. RUN 27. SAXYFAN 28. ROADS 29. JUNGLE 30. CYCLE 31. TUBULAR |
Comments (as published by SSU on the Greytsounds website):
Comments (as published by SSU in their 1992-93 catalogue):
Performances comments (as published by SSU in their booklet joined with the ROM card):
00. JUPITER RISING: spacious analog patch, with animated chorusing. Aftertouch = Pitch Modulation .
01. FORMLAND: punchy formant/clavinet utilizing wavesequencing to step through filtered variations.
02. LOVELY TRUELY: ambient cathedral pipes with ethereal choir echoes. Vector transitions cycle in the background in a harmonic wash.
03. SPLIT A BIGROK: warm synth/gtr comping pad with a tube distortion quality and wavesequencedbackground harmonics.
04. NEW ELECTRIX EP: wavesequenced electric piano. WS cycles in octaves.
05. AT THE STATION: distinctive multi-harmonic attack with a metallic emphasis in lower register which evokes a menacing quality. Upper register yields a nice vector animated pad.
06. YUR HIGHNESS: complex pad with crystalline melodic high range and brooding, harmonic-laden soundtrack quality in low register.
07. CHUNGA RHYTHM: quintessential metalhead rock guitar with a little rhythmic wavesequencing thrown in for good measure. Aftertouch pressure increases distortion "edge".
08. ISHAMs WS: delicate stacked intevals w/crystalline woodwind ensemble-like quality. Background harmonic shimmer. Works well w/chord voicings to create unusual interval stacks. Aftertouch = Pitch Modulation .
09. CHROMES: another crisp synth/clav comp patch. Aftertouch pressure gives nice tonal variation, and velocity dynamic range is very wide.
10. VS ORGAN: ambient organ with vector cycle overtones.
11. PINGER STEP: metallic attack w/rhythmic WS sustain. Low register adds extra synth for fat bottom.
12. SLOW VOICESTEP: elven choir/bell hybrid with animation WS'd overtones. Great for textural pads and delicate melody lines.
13. REZDOWN BRASS: cutting, high 'Q' synth brass with echo.
14. STRINGERS WORLD: hyper strings, with pronounced bow attack and vectored octave emphasis.
15. ISLANDERS: pulsating Caribbean robo-tech! Try different registers.
16. SUPERPHAZE CLAV: thick synth/clav with aftertouch induced oscillating filter sweeps.
17. BLOW WIND: ethereal
chime/recorder attack echoes with wisp-like "breathing" undertones,
evolving into a gentle crescendo, then subsiding to soft subtone pad.
18. REZRIZE ORCHEST: concert hall strings with cycled format layer.
19. SAMPLE WORLD: analog sawtooth w/WS high octaves.
20. REAL ORGAN: processed B3 with lots o'balls!.
21. GLASS RUNNER: percussive glass attack transients w/syncopated WS accompaniment.
22. TUBULARIZE: rich processed bells with pealing background harmonic wash.
23. DEPECHE PULSE: darkly rich synth texture characteristic of popular techno Angst-oids.
24. SLOWJURNE: complex evolving patch which works best in a stark musical context. Plenty of timbral nuance which contrasts nicely in minimalist musical settings.
25. WAVESTEP STUFF: more wavesequence soundscapes.
26. EMM ULATIONS: low register has a woody plucked pizzicato and an understated choir sustain. Upper register retains vocal elements, adding a complex bell attack and an undulating timbral transition.
27. Q SONG: resonant, high Q synth sweep with interesting wavesequence animation in high harmonics.
28. FRIPPs VS ROOM: glassy bell attack with high harmonic vector sheen.
29. AMALOG SPLIT: fat, cutting analog bass and "mutating" synth lead in R.H. which mutates into high feedback-like harmonics.
30. INHARMLAN: a sonic curtain of shifting overtones and smooth wavesequence tonal transitions.
31. TOUCHREZRESPONZ: quasi MiniMoog-thru-a-Marshall sound with filter resonance.
32. SAXY WAVE: distinctive sax waveform w/compressed, punchy attack. Compression & warm chorusing make this a fat, effective comping patch.
33. SPECTER STEP: Terminatoresque wavesequence dissipates into a subtle, soft pad.
34. JUNGLE WAVE: primitive drums pulse over a whispering background ambience.
35. FULL OF IT!: complex melodic voice with multi-octave components. JS varies high frequency presence.
36. MARSCAPE: soundtrack material! Evocative timbral swirls and swells.
37. BAD DIGITISM: wavesequence rhythms superimposed over a resonant synth E.Piano.
38. RHYTHM & MELODY: fat synth bass with wavesequenced perc. in the R.H. Aftertouch = Pitch Modulation
39. LOW SKY SAW: (not mentioned into the booklet)
40. RHYTHM ICK!: a "Twin Peaks-esque" synth guitar with wavesequenced percussion overlay.
41. 5th OF CYCLES: shimmering vector timbres in stacked consonant intervals. Aftertouch = Pitch Modulation
42. INTERNAL RIFFT: biting analog synth in overdrive with waveseq. rhythms. Low register has a resonant formant with a vocal quality.
43. WIND MACHINE: airy transients weave in and out in sinuous web of vector evolutions.
44. PURPLE HAZED: heavy 60's power-rock guitar filtered through sonic orange sunshine!
45. MANIC WAVESQNC: wiresynth with active interplay of overtones in wavesequence overlay.
46. ISLAND DELAYS: cascading waveseq rhythms interact with effects delay to create a complex wash of polyrhythms.
47. VOICETIME SUS 7: atmospheric vocal and harp timbres with arpeggiated waveseq. sheen.
48. PLAY IN THYME?: timbral split at F4. R.H. is effective for gtr-like leads. L.H. yields a rounded bass texture.
49. MONOMONSTER LED.: hugely fat lead with sweeping harmonic emphasis.
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