FM BASSES: click here to go to the detailed page
PERCUSSIVE KEYS: click here to go to the detailed page
FM BELLS
DX
church bells, tubular bells or chimes sounds are very famous and were
used a lot during the 80's because FM synthesis permitted to imitate
these sounds with more realism as other analog synthesizers from this
time. Here are a few examples.
Artists (alphabetical order):
Enya "Enya" (Atlantic ©1986 / 81842-2)
This
is the first album from this irish artist. DX7 was largely used on
it. For example, you can hear the ROM#1A 26 "TUB BELLS" patch during "The
Celts" (Track 1) introduction:
Laura Branigan "Self Control" (Atlantic ©1984)
The "Self Control" (Track 2) bells sound is the ROM#3A 27 "TUB ERUPT" patch:
Kate Bush "Hounds Of Love" (EMI ©1985 - CDP7 461642) This Kate Bush album uses the ROM#1A 26 "TUB BELLS" patch as background arpeggios during the guitar riff from the song "Waking The Witch" (Track 8):
Many thanks to the internaute who kindly mentioned it to me !
Nu Shooz "Poolside" (Atlantic ©1986 / 7 81647-2)Even if it's a very short apparition, this song was such a famous 1986's club top hit that I had to mention it. The ROM#1A 26 "TUB BELLS" patch is used during the intro (0'09'') of "I Can't Wait" (Track 2) song as a melodic line:Many thanks to the internaute who kindly mentioned it to me !
"Dirty Dancing" soundtrack (RCA ©1987 / BK 86408)This
famous 80's soundtrack and film gathers some new original song. Eric
Carmen sang the "Hungry Eyes" (Track 4) song where a DX7 bells sound is
used during the introduction (audio example) and choruses:
Bette Midler "Wind Beneath My Wings" (Atlantic ©1989 / 7-88972)This Bette's song begins with the Sound Sources SLOE BELLS patch during the intro:Many thanks to the internaute who kindly mentioned it to me !
Kansas "The Best Of Kansas" (CBS ©1984 / EPC 461036 2)This american rock group compilation includes a new original song ("Perfect Lover" / Track 6) released in 1984 and where you can hear the ROM#3A 27 "TUB BELLS" patch used as a subtle melodic
background line during the verses. If you hear it with attention, you
can also note a marimba sound panned in the opposite of the DX7 bells
sound and that is certainly an FM patch too:
Many thanks to the internaute who kindly mentioned it to me !
USA For Africa "We Are The World" (CBS ©1985 / CBSA 12-6112)
A
good transition example between "FM Bells" and "Percussive Keys",
because this Lionel Richie/Michael Jackson song includes several DX7
patches. At first, the high chimes, the low bell and the brassy horn sounds you can hear during the
introduction are FM patches. The marimba sound used during the chorus to
play the melodic responses is also a DX7 patch:
DIVERSE
Here are a several examples using diverse DX7 sounds.
Artists (alphabetical order):Serge Gainsbourg "You're Under Arrest" (Philips ©1987 / 834 034-2)
Serge
Gainsbourg used a lot the DX7 on this electro-funk album dedicated to a young lady named Samantha. The
best example is during the "Mon Légionnaire" beginning (Track 10) where
you can hear a bass sound (introduction) and an electric piano (verse -
listen well to the subtle harmonic progression!):
Jean-Jacques Goldman "Non Homologué" (Epic ©1985 - CD EPC 26678)This
very popular french singer/composer used a lot the DX7 in studio and on
stage during the 80's. Here's a great punchy slappy bass sound on the
"Je Marche Seul" (Track 10) song:Brass ensemble sound from the "Pas Toi" (Track 6) song is also a typical DX7 patch:
Dire Straits "Brothers In Arms" (Warner Bros. ©1985 / 9 25264-2)The
"Money For Nothing" (Track 2) top hit includes a DX7 metallic FX which
appears during almost the whole song (verses + final). These are very
short interventions, mixed with the electric guitar riff. You can
remark it well during this short extract:
Mory Kante "Akwaba Beach" (Barclay ©1987 / 833 119-1)The
"Yé Ké Yé Ké" (Track 1) top hit includes DX7 african mallets, electric
slap bass and electric pianos (with an interesting unusual pitch bend
variation) sounds:
Tina Turner "Private Dancer" (Capitol Records ©1984 / CDP 7 46041 2)The
"What's Love Got To Do With It" (Track 2) song is a veritable DX7
sounds demonstration. You can for example recognize the ROM#3A 01 "FLUTE 1" patch
just before the chorus and the ROM#3A 14 "HARMONICA1" patch as a solo line. The subtle
electric piano background is the ROM#3A 08 "E.PIANO 1" patch:Many thanks to the Internaute
who kindly mentioned this album to me!!
"Running Scared" soundtrack by Rudi Harpaz & Rod Temperton (MCA Records ©1986 - MCAD-31053)This Peter Hyams film included
a song sang by Michael McDonald and named "Sweet Freedom". In this
song, you can clearly recognize the typical DX7 marimbas during the
introduction/verse:
ROM#3A 14 "HARMONICA1" patch during the solo part:
Many thanks to the Internaute
who kindly mentioned this album to me!!
Gregory Abbott "Shake You Down" (CBS ©1986 - 450061 2)The "Shake You Down" (Track 3) top hit ballad contains DX7 electric piano and harmonica sounds:
Queen "The Works" (EMI ©1984 / EMC 24 0014 1)Queen
uses the DX7 on nearly all the songs from this album. For example, you
can hear the ROM#2B 14 "SYN-ORCH" patch
during the introduction from "I Want To Break Free" (Track 6).
Particularity: there are two versions from this song. A short one (on
the album) and a long one (on the single). This introduction appears only on the long version:
Queen "A Kind Of Magic" (EMI ©1986 / CDP 7 46267 2)Another
Queen album where Freddie Mercury and Brian May used the DX7. For
example, the "One Vision" (Track 1) song begins with an FM bowed
strings section sound:
George Michael "Faith" (Epic ©1987 - 460000 2)"Hard Day" song (Track 5) from this George's album contains a DX7 bassline and soft rythmic clavinet sounds:
The Cure "The Head On The Door" (Fiction Records ©1985 / 827 231-2)The Cure uses a lot the DX7 on this album. "Kyoto Song" (Track 2) includes an FM japanese koto patch:
Men At Work "Two Hearts" (CBS ©1985 - CDCBS 26492)This autralian band used a DX7 on its third album. The harmonica sound
you can hear at the end from "Still Life" (Track 10) is an FM synthesis
sound:
Bronski Beat "The Age Of Consent" (London Records ©1984 / 820 171-2)
©2010-2024 Bobby Blues. All Rights Reserved.